The Elementals by Saundra Mitchell

The Elementals by Saundra Mitchell

Kate Witherspoon has lived a bohemian life with her artist parents. In 1917, the new art form of the motion picture is changing entertainment—and Kate is determined to become a director.

Meanwhile, midwestern farm boy Julian Birch has inherited the wanderlust that fueled his parents’ adventures. A childhood bout with polio has left him crippled, but he refuses to let his disability define him.

Strangers driven by a shared vision, Kate and Julian set out separately for Los Angeles, the city of dreams. There, they each struggle to find their independence. When they finally meet, the teenage runaways realize their true magical legacy: the ability to triumph over death, and over time. But as their powerful parents before them learned, all magic comes with a price. (blurb from Goodreads)

Ratings: PG-13, 4 stars
Trigger warnings: homophobia, ableism

I read this entire novel without realizing that it was the final book in a series. Oops. Surprisingly, I didn’t feel like I was missing anything except perhaps a little bit of background information about Kate and Julian’s parents. It’s my understanding that The Elementals is a little bit more of a companion novel than the first two books in the trilogy, as it deals with the children of the protagonists of the first two books. I was a little confused about the motivation of the main antagonist, but it didn’t really detract from my enjoyment of the novel.

*SPOILER ALERT* Before reading this book, I’d heard quite a bit of buzz about this book because Kate is bisexual and it’s a period book, which is so rarely done, especially in YA fiction. I found this buzz to be a little...misleading. Kate never fully articulates her feelings towards the woman she is assumed to be in love with, and while I didn’t expect to actually see the word “bisexual” in a text set in 1917, I had hoped for more specific acknowledgement of her feelings. However, I do still appreciate the inclusion of potential bisexuality, and I thought what little was there to be appropriately handled. *END SPOILER*

In general, I really enjoyed the world building in this novel. I thought the period details were really well done, and the magic system was incredibly intuitive. I never questioned it, which is even more impressive considering that this is the final book in a trilogy. I appreciated that the book was more focused on introspective and character relationships than action, despite the magic and menacing antagonist. Even the ending, which could have been very action-y, played out almost gently.

And speaking of the ending, I am speechless. I’ll admit it: I bawled like a baby. I have a weird feeling about the whole thing. I’m not happy about the ending, per se, but I think it’s very fitting and was very satisfying. Prepare yourself for the ending.

In general, I really enjoyed this book, and I recommend it without reservation. As you might expect from a book set in 1917, some characters exhibit homophobia and ableism, but these instances are always framed negatively. I think fans of the Gemma Doyle trilogy might be particularly interested in The Elementals.

The Ocean at the End of the Lane by Neil Gaiman

The Ocean at the End of the Lane by Neil Gaiman

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.

A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark. (Blurb from Goodreads)

Rating: PG, 5 stars

Trigger warnings: death, nightmares, animal death

This book was amazing, and I hope I’m actually able to get my thoughts down in a coherent manner, because really my reaction is: dskdkdsfsldsfjkfdjfgjdsfjldskfddsfjksogood.

For starters, I loved the fact that we didn’t know the narrator’s name. This is a narrative technique that doesn’t always work, but here it did, partially because it just made me picture Neil Gaiman as the narrator, and he really worked as the narrator.

I loved the way the story unfolded, from the set up at the beginning, to the unfolding of past memories, to the surprising conclusion (a conclusion which I definitely will not be spoiling). The story’s structure left me surprised but not confused or left behind, which can be challenging to do.

I think the unnamed narrator is someone that many readers can relate to--he is an avid reader himself, and that influences so many of his decisions. Because most of the book takes place when he is a child, this characteristic felt realistic and not like a cop-out, which I think would have happened if the narrator, as an adult, was still referencing books all the time.

I loved Lettie and her family. I loved their toughness and their timelessness. I loved that we never really get clear answers about the Hempstocks and what they do, what they’re there for. I loved their farmhouse.

I even loved the shortness of the book (bear with me here). It’s not that I wanted the story to end, because I certainly didn’t, but there’s something romantic about short, powerful novels. And from my own experience, brevity is challenging. It’s easy to fill 400 pages, much harder to cut that down. Kudos to Gaiman for writing such a brilliant little book.

Ugh, this review feels so...lacking after my initial emotional reaction to The Ocean at the End of the Lane. Just read it. You won’t regret it.

Copper Girl by Jennifer Allis Provost

Copper Girl by Jennifer Allis Provost

 Sara had always been careful.
She never spoke of magic, never associated with those suspected of handling magic, never thought of magic, and never, ever, let anyone see her mark. After all, the last thing she wanted was to end up missing, like her father and brother.
Then, a silver elf pushed his way into Sara's dream, and her life became anything but ordinary. (blurb from Goodreads)

 Rating: PG-13, Did not finish
Trigger Warnings: stalking

 I tried to make it through this book for the sake of my review, but I just couldn't. I feel like there's a lot of potential in the story, but the writing just didn't live up.

 First of all, I don't know why, but I was under the impression that it was a YA novel. It most certainly isn't--for starters, the protagonist is definitely not a teenager, and a few pages into the book, she takes her underwear off while eating lunch in her office's courtyard. Definitely not YA (also, don't get me started on my hatred for the word "panties").

 In the first chapter, I felt jerked around by not knowing what time or place we were in. Sara starts off at a normal job, then there's a mention of robots, and then the magic comes into play. I don't necessarily want everything on the table when I start a book, but I like having some details to understand the world, and I simply didn't get that. By the time I did get some answers, they came in the form of Sara, as the narrator, interrupting the flow of action to explain things, in italics, to the reader. That sort of telling is forgiveable once, in my opinion, but it happened in the second chapter, too, and this time it carried on for over a page on my e-reader (it could be different in a printed book).

 Starting in the second chapter, I ran into an annoying amount of typos and random capitalizations. Most of the time I could still follow along with what was meant, but there were a few times when I couldn't. I also found myself rolling my eyes when Sara explained that she was a member of one of the most powerful magical families and was strong physically and smart...had the writing before this reveal been better, I might not have, but on top of everything else, it seemed like Sara was quickly becoming a Mary Sue.

 The last straw and main reason I stopped reading the book was because twice the first two chapters Micah, the hot elf guy that I bet you anything Sara falls in love with, stole Sara's panties underwear. I think the author was trying to be sexy, but all I felt was creeped out. This wasn't some game Sara and Micah were playing where both parties were consenting, it was a guy stealing a girl's underwear. Underwear that she had previously been wearing. Creepy.

 Again, I think there's potential here. I like the idea of magic being outlawed as a reaction to an equal rights movement. I think that's fresh and interesting. However, with the writing the way it is now, plus the creep factor, I just couldn't finish it.

Huntress by Malinda Lo

Huntress by Malinda Lo

Nature is out of balance in the human world. The sun hasn't shone in years, and crops are failing. Worse yet, strange and hostile creatures have begun to appear. The people's survival hangs in the balance.

To solve the crisis, the oracle stones are cast, and Kaede and Taisin, two seventeen-year-old girls, are picked to go on a dangerous and unheard-of journey to Tanlili, the city of the Fairy Queen. Taisin is a sage, thrumming with magic, and Kaede is of the earth, without a speck of the otherworldly. And yet the two girls' destinies are drawn together during the mission. As members of their party succumb to unearthly attacks and fairy tricks, the two come to rely on each other and even begin to fall in love. But the Kingdom needs only one huntress to save it, and what it takes could tear Kaede and Taisin apart forever.

The exciting adventure prequel to Malinda Lo's highly acclaimed novel Ash is overflowing with lush Chinese influences and details inspired by the I Ching, and is filled with action and romance. (blurb from Goodreads)

Rating: PG-13, 4 1/2 stars

Trigger Warnings: battle/fight scenes, violence, animal attacks, violence directed at children and babies, death

I actually enjoyed Huntress much more than Ash. Lo worked with a larger cast of characters in Huntress than Ash, and consequently there were a lot more characters that I sympathised with. Maybe it was because of the omniscient narration, but I cared about more than just Kaede and Taisin. I enjoyed the moments that focused more on Prince Con and the other members of their traveling party.

Those who have read Ash may recognize the bare bones of the story as one of fairy tales from Ash’s time. Since this is a prequel, Huntress is set in the same world as Ash, just much earlier in history. I really enjoyed the connections, particularly the transformation of the events in Huntress to the folklore in Ash. However, the two novels are not directly connected in terms of characters and immediate setting; you can definitely read one without the other.

I was surprised at the extent of the romance in the story. It is definitely more of an adventure novel than Ash, but the romance was still a main focus. I’d say for at least 90% of the novel there was a good balance between the romance and the action. There were a few moments when I felt the focus shifted too much to one side, but they were very rare.

I thought the the world-building was done very well, and I particularly like Lo’s take on traditional faerie lore. I liked the fact that not all of her fey were explicitly antagonistic. I liked the combination of traditional Celtic Sidhe with the Chinese-influenced spelling “Xi.” And I have to say, I really appreciate it when authors work the whole iron thing into their faerie stories.

*SPOILER* My biggest complaint with Huntress was the unicorn sub-plot at the end. It makes sense in context with Ash, because that part did play a part in Ash. However, I felt like it’s placement in the story made the ending a little anti-climactic for the amount of time given to the unicorn scene. I knew that I was like ten pages from the end of the book, and all of a sudden Kaede is sent on another mission. That just bothered me a little. However, I will say that I appreciate what that scene did for Kaede’s character. *END SPOILER*

There was quite a bit of violence in the book, including a scene where the characters were attacked by wolves, and two scenes that featured violence against infant-like creatures. In addition, some characters do die. So generally speaking, if violence bothers you, you might want to hold off on Huntress, or at least take it slowly. The violence was in no way out of place, given the story, but it was very much there.

All in all, I really enjoyed Huntress. I look forward to reading more of Lo’s work, and I hope she returns to the setting of Ash and Huntress in the future.

Wednesdays in the Tower by Jessica Day George

Wednesdays in the Tower by Jessica Day George

A castle that is constantly rearranging itself, and a young royal family sworn to protect it... Celie, Rolf, and their beloved Castle Glower are back in this exciting sequel.

Strange things are afoot in Castle Glower: new rooms, corridors, and even stables keep arriving, even when they aren't needed. Celie's brother Bran, the new Royal Wizard, has his hands full cataloguing an entire storeroom full of exotic and highly dangerous weapons, while Celie has her hands full . . . raising the creature that hatches from a giant egg she finds! Will they be able to find out what's making the Castle behave this way in time? (blurb from Goodreads)

Rating: PG, 5 stars

Trigger Warnings: none

Approximately a year and a half ago I review Tuesdays in the Castle and loved it. I had no idea there was a sequel, but boy am I glad. The second volume of the Castle Glower series loses none of the magic of the first book.

Wednesdays in the Tower continues the story of the lives of Princess Celie and her family, who live in Castle Glower, a castle which grows, shrinks, and rearranges itself, seemingly at random. Celie’s big accomplishment in this volume is a completed atlas of the castle.

One of the things I love about the Castle Glower books is the charm of Celie. She is a princess in a magical castle (and now she has a pet griffin), but at the end of the day she faces the same problems as other girls her age, namely being taken seriously by her family even though she is the youngest.

In general, I think the reason Wednesday in the Tower is as successful as Tuesdays in the Castle is because there is a winning combination of both concept and characters. Concept alone probably could have carried Tuesdays in the Castle, but fully-developed characters are needed to continue the series. Fortunately, Wednesdays in the Tower has no shortage of those. The characters all just felt so real, and that gave me so much enjoyment. They were interesting in their own right, not just because they lived in a shape-shifting house.

My sole complaint with the novel is not that it ends on a cliffhanger, but that the book isn’t out yet and won’t be for some time. I’ll definitely pick it up whenever it comes out.

Wednesdays in the Tower will appeal to fans of the previous book in the series, as well as those who like bright, spunky middle grade fantasy. Celie’s personality reminds me a bit of the earlier parts of Ella Enchanted (one of my all-time favorite books), although the Castle Glower books don’t deal with the same level of emotional maturity or internalized conflict. Instead, Celie and her family face external problems and solve them together in family-oriented ways.

Teeth by Hannah Moskowitz

Teeth by Hannah Moskowitz

Be careful what you believe in.

Rudy’s life is flipped upside-down when his family moves to a remote island in a last attempt to save his sick younger brother. With nothing to do but worry, Rudy sinks deeper and deeper into loneliness and lies awake at night listening to the screams of the ocean beneath his family’s rickety house.

Then he meets Diana, who makes him wonder what he even knows about love, and Teeth, who makes him question what he knows about anything. Rudy can’t remember the last time he felt so connected to someone, but being friends with Teeth is more than a little bit complicated. He soon learns that Teeth has terrible secrets. Violent secrets. Secrets that will force Rudy to choose between his own happiness and his brother’s life. (blurb from Goodreads)

Rating: R, 5 stars

Trigger warnings: bestiality, violence, sexual assault

This book got a lot of buzz on the YA blogs I follow because it featured both gay teens and mermaids (er, fishboys), and in particular the gay teen loved the fishboy. That buzz really interested me both because mermaid books are usually about the, uh, maids, and because the speculative novels I’ve read with LGBTQ teens more often have gay-identified girls. Contemporary YA has far more gay boys than girls, but speculative fiction seems to be the opposite. Basically, buzz=color me curious.

I have to say, I think a lot of the buzz about Teeth was really misleading in everything from Rudy’s sexuality to the extent of his relationship with Teeth, but I am totally ok with that. In fact, I like what the book was so much more than what the buzz had me thinking it would be. I applaud Moskowitz for writing a book about exploring sexuality that isn’t a coming out story. From the beginning of the book, we hear a lot about how Rudy was quite the ladies’ man before moving to the island. He’s comfortable with having sex without being a braggart (which in itself was refreshing). There are no mentions of romantic or sexual relationships with dudes. And yet, by the time Rudy realizes that he has romantic feelings for Teeth, he doesn’t freak out because Teeth is male. He doesn’t even freak out because Teeth is part fish. There’s no lonely walks filled with angsting about how attracted he is to Fish Boy. Rudy is, quite simply, focused on the more complicated aspects of their relationship, like the fact that his brother is only alive because he is eating the fish that Teeth loves. For that matter, Rudy’s feelings for Teeth were subtle enough that had I not known the buzz beforehand (and had I skimmed the book’s blurb), I might not have picked up on the romantic tension at all.

Basically, it was incredibly refreshing to see a YA novel with a gay protagonist that was so much more than a YA novel about a gay protagonist. Rudy is a complicated character with a complicated romantic and sexual life, but at the end of the day that isn’t all he is. So much in Teeth was handled subtly, from sexuality to assault. The relationships between the characters were rich and complex, which made this book so much more than what I’d heard about it.

Trigger-wise, the bestiality is from a flashback, and it deals with Teeth’s conception, not Teeth. I only put that warning in because only one party in that scene had the capacity to consent. There are a lot of mentions of sexual assault, but Rudy never sees any of them up close. The descriptions of violence do get pretty intense at times, especially at the end, but not nearly as intense as in Dualed, the last violent novel I reviewed.

Teeth is an dark, complex novel that will appeal to sci-fi fantasy lovers, those seeking LGBTQ romance (although they *might* be slightly disappointed by amount of romantic details), as well as those who like gritty contemporary novels--Rudy seemed a lot like a contemporary character who accidentally wandered into a speculative setting. Teeth is an excellent book, and if you pass on it, you’re missing out.

Ash by Malinda Lo

Ash by Malinda Lo

In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away, as they are said to do. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be granted.

The day that Ash meets Kaisa, the King's Huntress, her heart begins to change. Instead of chasing fairies, Ash learns to hunt with Kaisa. Though their friendship is as delicate as a new bloom, it reawakens Ash's capacity for love-and her desire to live. But Sidhean has already claimed Ash for his own, and she must make a choice between fairy tale dreams and true love.

Entrancing, empowering, and romantic, Ash is about the connection between life and love, and solitude and death, where transformation can come from even the deepest grief. (blurb from Goodreads)

Rating: PG, 4 stars

Trigger Warnings: some violence, familial/domestic abuse (à la Cinderella)

For the record, Cinderella retellings are my thing. My favorite books as a child include Ella Enchanted, Just Ella, and The Glass Slipper. I don’t know anyone else that has even heard of The Glass Slipper (please shout out if you have!). So when I found Ash on sale over a year ago, I was super pumped. A new Cinderella retelling! Unfortunately, I think it is misleading to bill Ash as a Cinderella retelling. I can definitely see parts of the story that were taken from Cinderella. Ash lives with her stepmother and stepsisters. She works like a servant for them and endures their ridicule and abuse. The prince holds a ball for every eligible maiden in the kingdom. That’s about the end of the Cinderella parallels, though. This isn’t necessarily a bad thing; to the contrary, I really enjoyed this book. I just think it shouldn’t have been marketed as a Cinderella retelling. Because that’s not what it is. More on exactly why it isn’t to come.

But if it’s not a Cinderella retelling, what did I like about it? So. Much. Ash felt so real, so human. Her emotions were so raw, which is something not often found in stories that take inspiration from Cinderella. It was really refreshing to see a fairy tale base made so human and genuine. I enjoyed the world-building. I felt the culture was well-integrated, and the role of the King’s Huntress made me really happy. So many fantasy worlds either stick with the status quo and have their military and influential figures male or equally male and female, and here was a martial position that was for women. I really enjoyed that.

I think one of Malinda Lo’s strong suits in writing is writing the gradual development of relationships. It’s something hard to do, and yet I think Lo captures it beautifully in Ash.

I also enjoyed her adaptation of common Cinderella elements. The use of the name Ash plays to both the novel’s Celtic influences and a synonym for cinders. I enjoyed her substitution of a fairy for the fairy godmother/tree/whatever.

Now for complaints. Er, complaint, since I already went over the not-fairy tale thing. I said I loved the world building, but there was one aspect that was frustratingly missing. *SPOILER?* When Ash starts to realize she has feelings for Kaisa, she is concerned about what people will think. Kaisa is clearly not concerned. Since Ash was a little sheltered from people, I assumed that she just didn’t understand the culture’s view of homosexuality, but I wanted a definitive answer on that. I wanted someone to say something or do something that revealed the general acceptance or lack thereof of homosexuality. This was a major frustration for me. *END SPOILER*

Now, for why this isn’t a fairy tale retelling to me. *SPOILER* For me, Cinderella stories are a lot about the prince. In the original tale and most retellings, he is the catalyst for change. He changes the Cinderella figure’s life, whether that is in a good way or not. In Ash, he’s basically a background character. This isn’t “the prince falls for Ash and she chooses the Huntress anyway.” This isn’t “the princess falls for Ash and she falls for the princess.” This isn’t even “the prince falls for Ash but she likes his sister.” No. The prince is there, but Ash dances with the Huntress and then her fairy boy gets pissed. To me, this departure from the how and the why of Cinderella is why Ash isn’t a fairy tale retelling. It is inspired by Cinderella, but no more than that. *END SPOILER*

All in all, I really enjoyed Ash. There were some moments of frustration, but they didn’t really cloud my enjoyment of the book. I thought the writing was beautiful and the characters well-developed. It’s definitely worth reading.

Nymph by Francesca Lia Block

Nymph by Francesca Lia Block

Rating: R; 3 1/2 stars

Summary: Nymph was simultaneously similar two and completely different from the rest of Francesca Lia Block's work. This short book is a series of connected erotic short stories. These stories are definitely far more explicit than most of the rest of Block's work, but that doesn't mean they don't contain the spark that makes her writing so memorable. As in her other books, Nymph is rife with the rhythm and life of LA. The stories contain that mix of fantasy and reality that Block is known for.

Opinions: So somehow I missed that memo that this book was erotica. That's neither good nor bad, just an oversight on my part. Since most of what I review is suitable for a young adult audience, readers should be aware that this may not be. I say “may,” because I believe that there really isn't an age limit on books.

That being said, I was very pleasantly surprised with the priority that the actual story took in these pieces. In my (admittedly rather limited) experience with erotica, the story and characters often take a backseat to the sex. This definitely isn't the case here. These stories are woven as deftly as any work of Block's, and the language, characters, and plot are quite obviously one of her priorities.

My favorite story is the first one. I love the idea of it, and I think it was executed perfectly. Although I didn't like some of the stories as much as “Mer,” they all had something to them that I enjoyed. I wish they had been a little more connected, since they were advertised as connected, but sometimes the subtleties and unexpected connections were refreshing. I'm thinking specifically of the connection between “Mer” and “Spirit,” which is probably my second favorite story.

Obviously, I've rated this book R for being sexually explicit. There's no violence, as far as I can recall. I also don't recall any explicit language used outside of sex. I gave it a 3.5 because as interesting and well-written as these stories were, I didn't find a lot of reread value in them. I can't say why, but that's unfortunately the way I feel. I also think that in some ways some of the stories were limited by their erotic nature—the stories were all very short, and I think Block could have done some really wonderful things with them had there not been so much sex. However, as erotica, these are by far the best stories I've ever read—who said literature couldn't be sexy? I'm also aware that I may be biased because I didn't realize this book was erotic in the first place.

Readers of erotica will love the quality of writing in these stories. Readers of Block's other books may find their genre preference expanded after reading this book.

I purchased a physical copy of this book for my mother, and I was also given a complimentary ebook by the publisher for review.

Bitterblue by Kristin Cashore

Bitterblue by Kristin Cashore

Rating: PG-13; 5 stars

Summary: Bitterblue is a sequel to Graceling and a companion to Fire. Taking place eight years after Graceling, the story follows Queen Bitterblue in her journey to help her country recover after Leck's reign. The book is filled with political intrigue, romance, science, war, and much more. Although the book focuses on Bitterblue, familiar characters, such as Katsa, Po, and Fire, do make an appearance. The book is both a companion and a sequel in the truest sense: it directly continues events set forth in Graceling, and characters and events from Fire do return in a significant way. The book follows both the progress of the country of Monsea and development of individual characters.

Opinions: The first year that I started this blog, I named Graceling my top book for the year. Later, I raved about Fire. However, it is only with Bitterblue that I am fully appreciating what Cashore has managed to do with the written word. Now don't get me wrong, I'm not saying Cashore is the next Dickens or Twaine. I'm not going to speak to that. Her first book is less than ten years old.

However, I think that what Cashore is writing is incredibly relevant today. Bitterblue alone discussed issues of homosexuality, parental pressure, self-injury, birth control, and pre-marital sex. And you know what? None of these were the focus of the story. While I'm all for the importance of books like Baby Be-Bop, by Francesca Lia Block, and Wintergirls, by Laurie Halse Anderson, I have to say that sometimes it's refreshing to read a book that opens and encourages a dialogue on these topics without making them the focus of the entire novel.

Besides these social issues that were present without being the focus, the novel did focus on issues of abuse and brainwashing. Cashore handles all issues deftly and sensitively. I think the choice of Queen Bitterblue as the protagonist works to the story's advantage: she discovers things along with the reader, which allows Cashore to really delve into the issues she is opening up a discourse on.

Before a friend of mine kindly loaned me her advanced copy of Bitterblue (thank you, Emily!), I read some reviews on Goodreads in anticipation of this book. I have to say, I was really upset by the amount of people who gave the book negative reviews because of the lack of focus on marriage. As much as I'm a romantic and enjoy a good happily-ever-after, the world isn't about marriage, and I think it's important that books show that there are other options. I won't say more on the matter, so as not to spoil anyone, but I was frustrated enough by these reviews to include it in mine.

I can't really say enough how much I enjoyed this book. Consistent with her two other books, Cashore manages to weave together many subtle themes and subplots into Bitterblue. To me, Bitterblue is part political novel, part psychological mystery, part mystery, part adventure, and all wonderful.

I'd recommend this book to any fans of Cashore's previous books, as well as anyone who enjoys high fantasy, and even historical fiction. The amount of psychology and politics in Bitterblue do make it rather similar to some historical fiction I've read. There is some violence and sexuality in this book, though I wouldn't call any of it explicit. There are also scenes which may be triggering to some people. In particular, I am thinking of scenes recounting abuse of both adults and children. Just a warning to folks. I enjoyed every page of this book, even when it frustrated me. It's definitely a worthwhile read, and it'll make a great summer read, too.

Liesl and Po by Lauren Oliver

Liesl and Po by Lauren Oliver

Rating: G; 5 stars

Summary: Liesl's world is dark and gray, literally. The sun hasn't shown in years; Liesl's father has recently died; Liesl hasn't seen the world outside of her attic bedroom in months. Then, Po turns up. Po is a ghost, neither male nor female. Po is unfamiliar with the world of the living. It has been on the Other Side so long that things like manners and lying are forgotten. When Will, the apprentice to the local alchemist makes a late-night mistake, both Liesl and Po's world will be turned upside-down, for the better.

Opinions: This was not a book that I thought would make me cry, yet it did just that. Liesl and Po reads like all of my favorite middle grade novels, including The Tale of Despereaux, Tuesdays at the Castle, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, and The Castle Corona. There is a certain magic to book like these. A younger audience is clearly defined, but nowhere did I feel talked down to. The concept and characters contain a liveliness that I don't often seen in books written for older audiences. It's hard to put words to it, but there's an atmosphere where every word has an energy to it.

For anyone who has read Lauren Oliver before, this isn't like what she normally writes. At least, it isn't like Delirium; I haven't actually read Before I Fall. However, she has attested in the back of Liesl and Po that it is different from everything else she's written, both in the content and the process. I won't say anymore, because I believe her message at the end should be read in full and not paraphrased. In any case, Liesl and Po has a vastly different feel from Delirium, and whether you loved or hated Delirium, I believe Liesl and Po should be given a chance.

But what made it so good? So, so many things. The concept was a big part of how much I enjoyed this book. Oliver's fleshing out of the Other Side was very believable. The magic worked in flawlessly to the rest of the plot. Along with concept, I felt that the role each of the characters played was well-defined. I did feel that there were almost too many characters present in the climax, but they all did play an important role, and all of their story-lines did need to be wrapped up, so I can definitely see why Oliver made that choice.

Also character-wise, I felt that Oliver did a really good job pulling off the idea of introducing random characters, only to make them important later. This is something that I first saw used in The Tale of Despereaux. I loved it in Liesl and Po as much as I loved it in Despereaux, and Oliver uses it to her advantage.

Plot-wise, Liesl and Po twisted and turned in ways that I didn't expect. Simple elements that I didn't expect to be important ended up bearing a ton of significance. Oliver really wove together a detailed, tight plot.

In general, I absolutely loved this book. There was a magic to it that I don't often find in books. I think it is absolutely appropriate for middle-schoolers, and younger children will probably enjoy it too, although they may need someone to read it to them. This is a wonderful book. It's a quick read, and it definitely worth the time it takes to read it.

Tuesdays at the Castle by Jessica Day George

Tuesdays at the Castle by Jessica Day George

Rating: PG; 5 stars

Summary: Castle Glower is not an ordinary castle. Every Tuesday, it grows and changes, sometimes adding adding rooms, sometimes a whole wing! Celie, the smallest of the royal children, is the only person who has ever tried to map Castle Glower. Unknown to Celie and almost everyone else in the castle, her detailed knowledge of the castle's layout will soon become important to the survival of Castle Glower!

Opinions: This book was nothing like the blurb said it would be. To start, it was a lot darker. When you *SPOILER ALERT* kill off the beloved King and Queen (Dad and Mom, to our young protagonists) in chapter 4 *END SPOILER*, things are going to be a little darker than your average middle-grade novel. I got the impression, based on the blurb, that this book was going to be more about how no one understands Celie's interest in how the castle grows and changes. This impression was...rather off. BUT. Do not let that deter you from reading Tuesdays at the Castle. This is an excellent book.

The writing style in Tuesdays at the Castle reminded me a bit of The Tale of Despereaux; it contained that same magic that makes Despereaux so loved. I dunno what it is, but I'm suddenly finding a whole slew of fantastic middle-grade books that are all written with this same magic. I don't know if it's the audience, or the genre, or what, but I like it!

I found the characters in Tuesdays at the Castle to be well developed. I was consistently surprised by how they reacted to different things, but not in a bad way. The book is pretty short, so there wasn't really a lot of room for character back-story. Still, George managed to write logical character responses that still managed to surprise, which is no small feat.

I loved the twists and turns of the plot. At times, I felt that I was actually in Castle Glower, because the plot took me in so many interesting directions that I never would have suspected. I suppose this is in part because of how I misunderstood what the book was about, but I do think that the majority of it was simply a very skillfully handled plot.

I gave this book a PG rating because it is a little bit dark. There's a bit of violence and general darkness that really small kids might not be able to handle very well. However, I firmly believe that any child who is old enough to read chapter books would fare fine with Tuesdays at the Castle. I would recommend not reading it to a three-year-old. I gave it 5 stars because I really and truly enjoyed this book. I read it essentially in one sitting, and I enjoyed every page of it. This is a wonderful book, and I think it would make an especially good family read. If you like fantasy for children, Tuesdays at the Castle is a lovely, fun little book.